Pages
- About
- Gallery
- Blog
- Reviews.
- Collections
- Timeline DATA FACTS
- Video Room
- CRITICAL WAVE
- 1992 Anime Day 0092 Con in the pocket.
- ConTanimeT 1992 October 2-4, 1992.
- Manga Mainia July 1993-
- 1993 Anime Day File 3 The Con that bit its tongue.
- ContAnimeTed October 22-24, 1993
- KISEKI Films 1993-1996
- 1994 Anime Day: FLASHBACK (Memories of Macross)
- D-CONTAMINET 14th -16th October 1994
- BSFA's Matrix
- ReConTanimeTed 3-5 NOVEMBER 1995
- 90's Fans questionaire.
- PROJECT L-CON, - L-KCon, - L-Kon, 18th. June
- PIONEER LDCE UK 1994-1998
- AnimeUK Magazine December 1991
- AnimeUK Magazines 1992
New visitors please read this Blog from Old to New using Chronoblog, the past is important!
Showing posts with label EastCon '90. Show all posts
Showing posts with label EastCon '90. Show all posts
Thursday, 26 March 2015
April 1990 Pt.7 Birth of a Fan Club.
With my enthusiasm from meeting people at Easter
Con '90 only growing, with it brought forth the idea of an Anime
Club, but upon my return from the Easter Convention I was faced with
the news that I had a rare Cancer of the tongue (in the days when the
radiotherapy suite of my local hospital was in the hospital's
converted basement, with what looked like machinery left over from
the 'Cold war').
So as to keep my mind
totally occupied I decided to form a local Anime and Manga club.
It certainly gave
plenty to think about and do.
I was reminded that I
was part of the “set-up
crew” for the “Anime Fandom in the UK” from the follow-up
letter from Steve Ktye & Helen McCarthy after EASTCON '90
A lot of my
fleshing-out of ideas on paper have survived (even to this day), as I
applied myself to the idea of what the club should all about, and how
to spread the word.
I was away from work
for more than five months, the gruelling radiotherapy treatment that
in the end failed to eradicate the cancer, so I had to under go
surgery to cut out one side of my tongue, but all the while Anime
club was gaining momentum and support.
What to do?
Well a club needs a
name and a logo that reflects its core interest!
As I was not an
artist I used a sticker that came free with one of my Japanese Anime
magazines (it is a Super Deformed
Ingram from Patlabor), and after much soul searching I came up with 'Anime Kyo
UK' ( Animation Today UK ) because
Japanimation\Anime was so new and exsiting.
Fan clubs were the
social media of their day, many of whom had fanzines and club
newsletters, and acted as a hubs for fans to meet up, and correspond
with one another from further afield and even internationally.
This
was my Easter and April in 1990!
[NOTE:
I have very few recollections of this time at the age of 24 due to
some memory loss, but can refer to old letters and my own clubs
Editorials from the Club's magazines.]
[Note:
By April 1990 I was only in contact with a few (about Six)
UK fans by post. ]
[Note:
I had only known of others' existence by writing into Canadian &
American Magazines, Ads in Comic-books, and JapAnimation fan Clubs,
and by joining these Fan Clubs you got to find other fans with new
and exciting interest in your country.]
For
more click: Birth
of a Fan Club.
Sunday, 7 September 2014
April 1990 Pt.1e UK Anime Fandom.
Post Con thoughts...
To get a feel of emotions that poured out from people with this newly discovered sleeping giant called Anime that many of us had grown-up with and had no idea of it's true origins! What follows are snippets from letters from my fellow UK Anime fans that I met at the Convention and corresponded with prier to the Convention.
To get a feel of emotions that poured out from people with this newly discovered sleeping giant called Anime that many of us had grown-up with and had no idea of it's true origins! What follows are snippets from letters from my fellow UK Anime fans that I met at the Convention and corresponded with prier to the Convention.
To
this day they can still invoke memories of how it felt, like a
time wonderment to so many of us.
Paul
Davison wrote on
the 19th.
of April -
“had
a great time without getting drunk, but days later still had a
headache from lack of sleep”
“It
was worth it!”, “And I'd do it again next week!”
“I'm
going to take your advice and write to everyone and everything and
hope I get replies.”
“more
than ever I'm going to try and promote Anime and Anime based games in
our area. I'm going to make a poster asking for Anime and Manga fans
to contact me (if only for a chat, it's a start.).”
“seeing
'Macross: Do you remember Love' just blew my mind, and brought home
to me what is my favourite Anime”
“Its
been good to find someone else who likes the same thing and I hope
some kind of Organisation can be set-up in Britain soon for the likes
of you and me”
R.
Poffley wrote in April
1990.
“looking
back at EastCon there were quite a few people at EastCon who were
interested in Anime there but, as you say most had been fans for a
while and not many “new” fans at all.”
“Helen
had been approached to do an Anime Programme for the WorldCon in the
Netherlands in August.”
“I
think that the Anime programme was one of the better attended events
over the convention and that bodes well for Anime in this Country.”
[Note:
The get together on the Sunday was all about making friends and
exchanging bits of information, I was even able to introduced Paul to Ashley, even though
Paul had read Mektek.]
[Note:
Jim Swallow wrote to Jay Felton telling her that EastCon'90 had about
700 attendees. - This was the big national Science Fiction for the
UK]
[Amendment\update "there were about 700 attendees, although the official convention membership count is on record, though without supporting sources, as 1,100 (Anon. n.d. “Eastercon”). The largest audience for the video screening room was considerably in excess of the fire limit of 450; it was usually about a third to half full, but some audiences were in single figures. As I recall, three screenings packed the room: Akira (Katsuhiro Ōtomo, 1988), Urotsukidōji (Wandering Kid, Hideki Takayama, 1989) and Robot Carnival (Katsuhiro Ōtomo et al., 1987).
The majority of attendees were probably novelty-seekers, who made no further attempt to engage with Japanese animation after the event." ( McCarthy - Re-creating Anime History: The Development of British Anime Fandom and the Developing Comprehension of Anime History as a Transnational Phenomenon. posted on July 2019) wrote about the "Distortion of the historical record". Facebook re-post 5th March 2020 ]
[Amendment\update "there were about 700 attendees, although the official convention membership count is on record, though without supporting sources, as 1,100 (Anon. n.d. “Eastercon”). The largest audience for the video screening room was considerably in excess of the fire limit of 450; it was usually about a third to half full, but some audiences were in single figures. As I recall, three screenings packed the room: Akira (Katsuhiro Ōtomo, 1988), Urotsukidōji (Wandering Kid, Hideki Takayama, 1989) and Robot Carnival (Katsuhiro Ōtomo et al., 1987).
The majority of attendees were probably novelty-seekers, who made no further attempt to engage with Japanese animation after the event." ( McCarthy - Re-creating Anime History: The Development of British Anime Fandom and the Developing Comprehension of Anime History as a Transnational Phenomenon. posted on July 2019) wrote about the "Distortion of the historical record". Facebook re-post 5th March 2020 ]
[NOTE:
“that
many of us had grown-up with and had no idea of it's true origins!”
I was lucky enough to live in Australia from the late 60's to the
late 70's and as a kid I loved cartoons, and I remembered seeing
'Kimba the White Lion', 'Speed Racer', 'Marine Boy' , and 'The
Amazing 3', so from this early age Japanese animation styles were
imprinted on me. Later I lived in Spain for a whole year and was
introduced to such cartoons like 'Mazinger Z', 'Battle of the
Planets' more imprints.]
[NOTE:
I will endeavour to contact as many attendees for their
recollections of that day as I can.]
Helen McCarthy – Re-creating Anime History: The Development of British Anime Fandom and the Developing Comprehension of Anime History as a Transnational Phenomenon.
To
be continued.......... When more comes to light!
Monday, 1 September 2014
April 1990 Pt.1d UK Anime Fandom.
I
can not after all this time (24 years have passed by) remember all
those who where there at the meeting, only a few stick in my mind,
luckily some of my letters from fellow UK Anime fans that have
survived to this day to fill the gaps in my memory.
EASTCON
'90 meeting attendees:-
Ashley
(editor of Mektek), Carlo Bernhardi (Myself), Paul Davison, Ian
(friend of Paul Davison), Keith (friend of Paul Davison), Helen
McCarthy, Richard
Poffley, and Jim
Swallow (James Swallow).
Helen
McCarthy would like to add;
Peter
J. Evans, Peter Evans, Harry Payne, Wil Overton, David Rowe, and
Jonathan Weeks, to the list of attendees.
[NOTE:
I will endeavour to contact as many attendees for their
recollections of that day as I can.]
Jonathan Weeks Wrote "I never attended any Eastercons. My first contact with fandom was Animeday (1991)" (Posted on FB messenger march 2020).
Jonathan Weeks Wrote "I never attended any Eastercons. My first contact with fandom was Animeday (1991)" (Posted on FB messenger march 2020).
DATE to be confirmed June\July 1990 (as Helen's first house meeting is Saturday 21st. July)
What
follows is passages from the Post EasterCon'90 Contact news-sheet
(from
Helen McCarthy & Steve Kyte), I hope these last few Blog pages
have given you all an insight into what it was like and how it all
started.
“KONNICHIWA!
Japanese
for "hello, how are you," it seems a good way to start.
You're
getting this because you were at the EASTCON 90 bar meeting or else
have written to me to express an interest in Anime Fandom in the UK,
and since it didn't really exist before EASTCON you're part of the
setup crew!
It
was nice to meet so many Anime enthusiasts at the con and I'm sorry I
didn't have a chance to talk more to everyone running most of a
programme stream plus the Art Show is a silly thing to do and doesn't
leave you time for much else but hope to remedy this in the next few
months. As I said at the con.
I
think the 'best way we can ensure the wider circulation of Anime
tapes and easier contact between fans is to do a newsletter and
fanzine which will at least provide a point of contact to start with,
and to try and set up viewing sessions in as many areas as possible.
Please
get in touch with. others on the attached list and please set up
local showings if you can.
Let
us have any Information for future issues of the news-sheet -
addresses~. contacts, anything you think would be of interest to
other fans.
And
now for the news from ANIME UK.....
[NOTE:
Helen & Steve included an open house for viewings, as many of us
did in those days. People all huddled around a small TV in a
front-room or Bed-room.]
SATURDAY
21ST JULY - 2 p.m. NIGHT ON THE GALACTIC RAILROAD; PATLABOR; other
items. Mostly in Japanese.
SUNDAY
5TH AUGUST - 2 p.m. BUBBLEGUM CRISIS: THE FIVE STAR STORIES, other
items. Mostly in Japanese.
SATURDAY
29TH SEPTEMBER - 2 p.m. Programme TBA depending what we get in the
interim.
We
have only a certain amount of oxygen in the living-room so we CAN'T
take more than ten people per showing. If you want to come please
phone or write right away and book your airspace!
ANYONE
ELSE WHO CAN HOLD SHOWINGS PLEASE LET ME KNOW SO I CAN PUBLISH
DETAILS.
PLEASE WRITE on anything anime related - this newsletter needs your input!!!!!!!
[There was a contact List including 27 UK individuals...]
[NOTE: I will endeavour to contact as many attendees for their recollections of that day as I can.]
To
be continued..........Post Con thoughts...
Sunday, 31 August 2014
April 1990 Pt.1c UK Anime Fandom.
My
own recollections Of EastCon'90 are of the late night screenings that had seen the
'word' spread, so much so that there was standing room only. So many
wide-eyed people were willing to watch this fresh animation from
Japan without narration, or sub-tiles, it was intoxicating!
Film
cinematography's camera techniques are liberally used, the long shot,
the panning & tilting shots, Dolly & tracking shots, and the
close-up, as well as camera\video special effects of split screen,
and circling shots that just blew people away and all well before the
matrix had an array of cameras to do its time-slice photography of
circling around a person (all done by hand with hand-painted cels
numbering from 10 to 24 0r 25 or sometime 30 frames per second)!
There
was disbelief also that the humble cartoon could display depictions
of violence in a realistic manner (NO more of the ubiquitous Tom &
Jerry frying-pan in the face, that you just shrugged off), and in
horrific detail that would rival any live-action horror movie that
went before!
[Note: I do vividly
remember people so shocked and ill at ease that they left the
auditorium in one of the very late-night adult showings of an episode
of “Wondering kid” (you may know the edited together and cut
film, under the title “Urotsukidōji”) in it's now legendary
tentacle scene.]
In
contrast Japanese Animation had a “U” certificate, as Kids
Cartoons straight to video in the UK, and the MY-TV label did turn up
a t EastCon'90, - recently Helen McCarthy was able to fill me on the
details surrounding this company's appearance at the convention.
“MY-TV
was a label part-owned by one of the directors at the music and video
company I worked for at the time. They
re-badged and distributed US material, mostly from Harmony Gold,
which is how the UK got releases of some great Anime like Birth and
Crushers so early on - short-lived but still there.
I
just told my boss about the event and he decided they should show up
and try to sell a few tapes.
He
had no idea there was a market for "this Japanese kids' stuff"
outside the children's market.
Of
course this was before Island world/Manga Entertainment started the
fifteening of the industry.”
[Note:
INTERVISION VIDEO LIMITED was the parent company of MY-TV, the
Editing, rewriting\dubbing, and renaming had been done by US company
Harmony Gold, and I think video (VHS) distribution licensed though
Streamline Pictures. ]
Once
Upon a Time (VHS release 1987,1988,1989)
Original
Title 'Windaria' (1986)
Crushers (VHS release1987,1988,1989)
Original
Title 'Crusher Joe: The Movie' (1983)
Original
Title 'X-Bomber'
(1980)
[UK
DVD Box-Set released in 2009]
[NOTE: World
of the Talisman (VHS release1987,1988,1989) Original
Title ' Birth' (1985)]
To
be continued..........
Sunday, 17 August 2014
April 1990 Pt.1b UK Anime Fandom.
A
look back at EastCon '90. (the Pen-Pals network meets up),
The
content that forms this page is not just my own recollections but
excerpts from a smattering of surviving letters from fellow UK Anime
fans that have survived from around that time both pre and post
Convention, and that of my own memories of that time.
As
I write, I am finding it difficult to convey the newness and
excitement of a medium of animation from Japan that was not just
Kids' Saturday morning cartoon shows, that was free to aim at many
different age groups for its audience, as well as the masses of
genres that live-action film and TV used, it was so astonishing (in
modern language it was “F*?%ing Awesome”).
I
had only known of others' existence by writing into Canadian &
American Magazines, Ads in Comic-books, and JapAnimation fan Clubs,
and by joining these Fan Clubs you got to find other fans with new
and exciting interest in your country and the more established fans
from Canada & America and those outside the US.
By
April 1990 I was only in contact with a few (about Six)
UK fans by post.
And
so for many this was the First meeting of Japanese Animation Fans,
that up until that point had only been Pen-pals, or thought that they
were alone in their interest!
EastCon
'90 (April
14th & 15th 1990) was
my first Convention, my first Science Fiction Convention and my first
introduction to Con-going. The Registration was the princely sum of
£25, and after you registered, a hotel booking form was sent out (by
post), you of course were free to choose any accommodation in
Liverpool, and the more Anime fans that booked and informed the
organisers that it was Anime that drew you to the Con the more time
was allotted to the media section and the showing of more Anime (as
of mid February it was almost half the entire slot for TV/Films for
the weekend of the Convention).
Only
months later I would find out that two of the members of Anime
Hasshin (an American Anime & manga fan-club) had contributed
almost 50 hours to the library of Anime that was shown. At the time
I did put out flyers for Anime Hasshin at EastCon 90, and proudly
wore the tin badge of Anime Hasshin at the Convention hoping to boost
the Fandom and bring people together!
Many
fans had sought out Anime (then widely known as Japanimation) from a
multitude of interests, the depiction of Power-Armour battle suits
and giant robot war machines in science Fiction (fanned from the
craze of Robot model kits in the mid1980's), from the heritage of
dubbed popular cartoon shows shown in the 70's ('Kimba the white
Lion', 'Marine Boy', 'Speed racer'), people wanted to find more.
More
fans at that time had a keen interest in Japanese culture even their
Business practises and acumen, as well as their social structure and
etiquette, their religions, beliefs
of
Shinto
and Buddhism and how they fitted in to daily life, the Japanese
school system which helped to produce such a high national literary
rate, and a few of us were transfixed with the fascination of the
Samurai and the historical period of the Shogunate! Dipping in to
Japanese popular culture you could not fail to notice that Manga was
every where, and read by Children, Teenagers, and Adults alike!
NOTE: Con booklet, and paperwork provided by P. Davison (Feb 2021).
NOTE: Con booklet articles written by Helen McCarthy, Harry Payne, and information by EastCon committee members, Anime (robots) Artworks by Steve Kyte.
Thursday, 7 August 2014
April 1990 Pt.1a UK Anime Fandom.
April 1990 was to be an
important time as the word had spread from
'MekTek' Issue #3 telling us about one up and coming Science fiction
Convention over the Easter weekend (April 14th & 15th 1990)
EastCon '90 showing Japanese Animation (well that's how I got to know! Thank you Ashley.), and as I've later found out
another Convention held over the Easter weekend in April of 1990 was
Elydore, a media Convention held at Shepperton, that also had a showing
of Japanese Animation in one of its Video rooms, run by Miss J. Felton (No futher details of this as yet).
[Note:
This will be ground Zero for the UK Anime Fandom as I would know it.]
After over 20 years its
not all that easy to remember the details, or that easy not to start
embellishing with hindsight those events luckily for me I had written
a Con-Report that was published in American Anime club's magazine
Anime Hasshin's “The Rose” Issue #22 July 1990.
So here I am quoting
myself word for word.
By Carlo Bernhardi
Friday the 13th!
It certainly wasn't unlucky for me! It was my first chance to see
Anime shown at EastCon '90 (the National British SF Convention) in
Liverpool – the first time ever for Anime in the United Kingdom.
As the Con was SF in
general, the Anime seemed to be in the nature of a filler with time
slots from midnight to 4:30am and then from 8:00am to mid-day.
Helen McCarthy
organised the Anime and it was very good indeed, mostly action and
adventure.
AKIRA drew the greatest
audience and 'Wandering Kids' and 'Cream Lemon' filled the room to
capacity. My first taste of original Anime was 'Galactic Patrol
Lensman'.
I was please to meet
three 'Robotech' fans, you could hardly miss them wearing their
home-made Zentraedi badges, posing as the three spies to find out as
much as they could about Anime. We've kept in touch ever since.
So it was a very small
percentage of the whole Con that constituted Anime fans. But the
programme was a great success and it brought us all together.
Eveyone I met declared that they loved every minute of it! Even when
they couldn't understand a word of it!
The Anime shown at the
Con:
'Southern Cross',
'Gundam', 'Five Star Stories', 'Crusher Joe' (English), 'Iczer-1',
'Hokuto no Ken', 'Space Cobra', ' Dunbine', 'Black magic', 'City
Hunter', 'Robot Carnival', 'Akira', 'Megazone 23 Part 2', 'Lupin
III', 'Orguss', 'Windaria' (English), 'Macross', 'Wandering Kids',
'Cream Lemon', 'Digital Target Grey', 'Project A-KO', 'Dirty Pair',
and 'Dr. Slump'.
With the explosion of
Anime now being heard across this country, the nucleus of which was
created at the end of the Con by a few people, a national fanzine is
being formed and small local clubs have appeared whose founding
members keep in touch by mail with small amounts of info on Manga and
Anime flying around.
Carlo Bernhardi 1990 ©
[Note: With hindsight I can up-date and elaborate on some of the
Anime titles that were shown: the 2 English dubs shown as 'Crusher
Joe' & 'Windaria' were in fact from a kids cartoon Video label called
“My TV” respectively renamed 'Crushers' and 'Once upon a Time'.
'Super Dimension Cavalry Southern Cross',
'Fight – Iczer-1', 'Fist of
The North Star', 'Space adventure Cobra', 'Aura Battler Dunbine',
'Black Magic marionette M-66 ', 'Super Dimension Century Orguss',
'Macross:
Do You Remember Love?', and 'Wandering Kid' a 3 part OVA that was edited
and cut in Japan into a film, this film was then futher cut for BBFC
18 ratting in the UK and is better known as “Urotsukidōji”.]
[Note: You can compare
the Video room showings from the 'San Diego ComicCon' 1989 &1990
at
[Note:
The kids cartoon Video label called “My TV” was at the Convention at
Helen McCarthy's request.]
[Note: To quote Steve
Kyte "So get ready for UK Anime Fandom - EASTCON 90 is just the
beginning!" (Source - Heavy Metal Heaven (the robot in Japanese
Animation) by Steve Kyte 1990.© ]
Subscribe to:
Posts (Atom)






































